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He’s the man who pulls the strings for the entire town, the landlord who rents out the retail plots down Main St., and the bartender, ready to pour a shot of whiskey to a prospector with a loose tongue and looser wallet. His methods to do so – manipulation, prostitution, and murder-for-hire – are certainly a bit more unorthodox than others, but Al is immediately established as a fearless leader, whose seeming inability to compromise his goals makes him an equally fascinating and terrifying entity. The owner of the Gem Saloon, Al Swearengen is, like many in Deadwood, an immigrant trying to make a name for himself. One simple snap was all it took to establish the dark, philosophically rich world of Deadwood the fifty-plus minutes that follow, only further reinforce these ideas, using Bullock’s presence in the world as a figurative proxy for Al Swearengen, the true star of Deadwood‘s first episode. Building a society, in many ways, is figuring out what atrocities we’re willing to forgive in the name of the “greater good” in this moment, Bullock’s willing to expedite (and assist) an execution, in order to keep the peace long enough to make his exit, a rather mediocre prize for the price of the part of his soul that dies when he hears the criminal’s neck snap. There are so many moments crystallizing this conflict in the opening sequence alone, beginning with Bullock rejecting the criminal’s advances, and ending with Bullock “mercifully” breaking the criminal’s neck, which expedites the execution process, and ensures him and Sol hit the road without a hole in his fucking head.
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The most important of all these social transactions, of course, is that of one’s very soul: how much are you willing to sacrifice for yourself (or others), and how much are you able to live with those consequences of those decisions, good or bad? The lines between good and evil are only clear in theory Deadwood exposes the reality that nothing in life is truly black or white – and the more things get covered in shit, the harder it can be to tell which way is up, and which path leads directly away from salvation. Deadwood is a show about many things – at its core, however, it is about the compromises it takes to build a society, compromises borne out of thousands of tiny little negotiations from people, individually and as a collective.
DEADWOOD SEASON 3 EPISODE 1 NOWVIDEO SERIES
However, everything on Deadwood is a negotiation, and this opening scene is no different: through the brief few minutes we spend in Montana, “Deadwood” beautifully lays the groundwork for the series to follow. There are but a few pilots of the modern era as confident and assured as Deadwood, and even fewer with the mastery of dialogue Deadwood immediately makes its calling card. To him, the lines are clearly drawn: the criminal admitted to committing his crimes, and since he was arrested, the responsibility of punishment falls on the shoulders of the marshal. On the surface, this scene establishes Bullock’s sense of morality he’s not persuaded by the criminal’s offer of riches, neither is he convinced by the gunshots fired off by a drunken mob ready to extract their own measures of justice. As Bullock prepares to hit the road, he’s met with an offer from his last remaining criminal to hit the road to Deadwood together, a desperate attempt at freedom, by a man who sees his own mortality catching up with him.
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Frankly, it is an odd vision to behold, especially when rewatching the series, to see the show begin with this strange, brief anecdote of Seth Bullock and his business partner Sol Star’s last night in a dark, strange town firmly rooted in the laws of so-called organized society.īut it’s important this scene is set outside the supposedly lawless borders of Deadwood – it allows writer (and series creator) David Milch to introduce just about every important theme of the series, in a single masterful stroke. Instead of the show’s usual South Dakota setting, “Deadwood” begins in 1876 Montana, where a young marshal is trying to wrap up one last case before hitting the midnight road to a new opportunity awaiting to the east. It’s easy to forget the opening scene of HBO’s Deadwoodis not set in the iconic drama’s titular town, the only meaningful scene in the series not to be contained in the pile of shit, mud, and blood Deadwood is mostly comprised of.